60 minutes
networked large ensemble performance between The Hot Tin (Faversham, Kent) and Roulette (Brooklyn, NYC). With Evan Parker, Pat Thomas, Peter Evans, Ikue Mori, Ned Rothenberg, Craig Taborn, Sylvie Courvoisier, Sam Pluta Hannah Marshall, Robert Jarvis
The Hot Tin, Faversham, UK and Roulette, Brooklyn.
70 minute CD
Trance Map+ performance with Evan Parker (soprano saxophone) and Robert Jarvis (trombone), listed as two sets: GROUNDED and ABSTRACTION
Released on FMR recordings
60 minutes
Evolving composition for creative ensemble, developed with Neil Charles, Alexander Hawkins, Olie Brice, Mandhira de Saram and Stephen Davis.
Supported by Arco Barco, Free Range and ContraPop Festival.
8 channel sound design / performance for Alexander Hawkins Ensemble.
With Alexander Hawkins, Sofia Jernberg, Nicole Mitchell, Tomeka Reid, Gerry Hemmingway
Part of Berlin Jazzfest
30 mins EP/Education project
Production and co-arrangements of the music of Canterbury prog rock back Caravan. Co-arrangements with Joe Inkpen and Jack Hues, featuring John Bocknowski (organ) and Toby Evangelou (drums).
Partners: CCCU and Canterbury Festival, UK.
Sound design and performance for the world premiere of 'High Road, Low Road' by George Lewis
with the Music, Thought and Technology ensemble from the Orpheus Institute, Ghent: Daniela Fantechi, Nicholas Brown, Magno Caliman, Nicolas Collins, Simon Waters, Juan Parra Cancino, Jonathan Impett
Concertgebouw Brugge, BE
CLOSE SCRAPE: CUTOUT (6x6) - LIVE BBC VERSION
15 minutes
performance for turntables/laptops and double bass
Made with samples of the BBC Scottish Symphony Orchestra.
Co-composed with Adam Linson.
Commissioned by the BBC / Tectonics Festival Glasgow.
36 minutes
set of six 6 minute films (Roads, Drives, Avenues, Junctions, Paths, Carts)
Music co-composed with Adam Linson (bass, turntable/laptop).
Films by video artists Lili Maya & James Rouvelle.
Commissioned by the BBC / Tectonics Festival Glasgow.
50 minutes
live processing / sampling for the Evan Parker Electro-Acoustic Ensemble
Released on Sluchaj records.
Live performance recorded at the Ad Libitum Festival, Warsaw, 2019
60 minutes
Co-production with Evan Parker for Cadillac Records
Evan Parker Quartet: Evan Parker, Alexander Hawkins, John Edwards, Paul Lytton
33 minutes
audio-visual installation
For ensemble, electronics and video.
Co-composed with Claron McFadden (soprano).
Commissioned and performed by Ensemble Klang.
Styling by Femke van Hilten.
Porcelain photograph by Martin Klimas.
15 minutes
vinyl release featuring 2 electronic pieces
(Steppe Entrecôte; The Badness of King Jorge)
co-composed with Panos Ghikas (laptop, unrealtime software).
Based on samples of performances at
The Sidney Cooper Gallery, Canterbury
and Boundary Studio, London in 2017.
Released on Migro Records.
30 minute film, with stereo audio
Remixed from the album of the same name, based on samples of Evan Parker.
Commissioned by hcmf// for their online festival 2020.
60 minutes
digital release featuring 3 electronic compositions
(When Time Collapses; Setsuna; Digital Medieval)
Based on samples of Evan Parker, Toma Gouband and Mark Nauseef
(from a 2018 studio recording at Arco Barco, Ramsgate, UK)
Released on Relative Pitch Records, New York City
70 minutes
electronic soundtrack co-composed with Alexander Hawkins
Part of Alexander Hawkins' installation with Siska (visuals artistic direction, vocals);
Shabaka Hutchings (reeds); Lina Allemano (trumpet); Nick Dunston (bass).
Produced by Berlin Jazzfest
20 minute cassette
featuring 4 compositions
(Introduction, Soul's Journey, Each Life We've Lived, No End)
co-composed with Robert Stillman (concept, compositions and production)
7 minutes
Studio-based electronic work
Based on samples of Toma Gouband.
Released on his Un peu plus loin CD on Astropi.
NOW MORE THAN EVER, WE NEED TO WORK TOGETHER
Open instrumentation / Open duration
Written in response to Claudia Molitor's Hausmusik Kollektiv project
REBIRTH 4TET [early 2000, rev 2020]
8 minutes
string quartet
Based on fragments almost 20 years old and recast into a new form.
Written for the Splinter Cell quartet.
Premiered at WINTERSOUND, Jan 2020.
TRANCE MAP+: CREPUSCULE IN NICKELSDORF
70 minute CD
Co-composed with Evan Parker (soprano saxophone)
featuring Spring Heel Jack (John Coxon and Ashley Wales, turntables and samples) & Adam Linson (bass and electronics).
Released on Intakt Records in 2019
80 minutes
Collaboration with Pete Harden and Ensemble Klang
(featuring performances of Fast Gold Butterflies, Cold Highlife and Entanglement Laws)
Commissioned by hcmf// 2018.
16 minutes
baroque ensemble and electronics, version including two 'celli lines.
Written for B'Rock
Musical Director at the National Theatre, London
Music by Eric Sleichim and performed by Bl!ndman Hybrid.
Directed by Ivo van Hove and starring Bryan Cranston.
Double CD.
Live processing/sampling as part of the Alexander Hawkins Ensemble.
12 minutes
alto saxophone, orchestra and electronics
Based on Keir Neuringer's album Ceremonies Out of the Air. Written for Keir Neuringer and St. Paul's Sinfonia, London.
70 minute CD
featuring 6 electronic compositions
(Above the Clouds; Cityspeak; Stop/Light;
NightMusic; Hard/Drive/Solo; SuperHigh InformationWay)
Co-composed with Keir Neuringer (alto saxophone).
Released on Extra Normal Records.
30 minutes
violin, ‘cello and electronics.
Written for James Widden and Alison Holford,
Premiered at WINTERSOUND 2019.
16 minutes
baroque ensemble and electronics
Commissioned by B'Rock / Transit Festival, Leuven, Belgium.
TRANCE MAP LIVE @ CONTRA POP 2015
10 minute live recording of Trance Map
Created with Evan Parker and performed live @ ContraPop, Ramsgate UK.
Released on Extra Normal Records.
60 minute CD
featuring 3 new works for ensemble and electronics (Cold Highlife; Fast Gold Butterflies; new version of Totem for Sydney)
Written for Ensemble Klang and released on Ensemble Klang records.
70 minute music theatre collaboration
Made with Bl!ndman Hybrid ensemble
featuring Claron McFadden, Eric Sleichim and Jörg Brinkmann.
20 minutes
performance for turntables and surround sound
Premiered at the Black Mountain Symposium,
Hamburger Bahnhof, Berlin.
TOTEM FOR DEN HAAG [2010, rev. 2015]
18 minutes
ensemble and electronics
Originally written for Ensemble Klang, arranged for CEPROMUSIC (Mexico City) for performance at the Palacio De Bellas Artes.
25 minute CD
designed to playback in ‘shuffle mode’ for continuous installation playback.
Co-composed with Roger Redgate (violin).
Released on Migro Records, London.
50 minute limited edition CD
Created with Evan Parker and Toma Gouband.
Commissioned by hcmf//.
70 minutes
concert reworking of Robert Wyatt’s Cuckooland album
Collaboration with Elaine Mitchener, Tony Hymas and the Brodsky Quartet.
Artistic Director for festival, with 37 events in 7 days.
Featuring Elaine Mitchener,
London Sinfonietta, Wajahat Kahn, Janek Schaefer, Brodsky Quartet, Exhaudi
16 minutes
ensemble and electronics
Written for Ensemble Offspring and Martin Ng (turntables) for their 'On Loop' programme.
Premiered in Carriageworks Sydney and Melbourne Recital Centre.
30 minutes
music/choreographic installation
Collaboration between the UK, Sweden and Vietnam with the Six Tones and Marie Fahlin
Premiered at the Kim Ma Theatre, Hanoi.
ORCHESTRA ONE
45 minutes
Performance event for young musicians and electronics, commissioned by Kent Music.
70 minute CD
co-composed with Evan Parker
Released on psi records in 2011.
GHOST LANGUAGE
15 minutes
for 19-division trumpet and electronics
Written for Steve Altoft.
SUBWAY 1980
12 minutes
for small ensemble
Written for Splinter Cell
Performed at Kings Place, London.
JB
8 minutes
ensemble and film
Music to accompany a looping fragment of the 'ski jump' opening sequence from ‘The Spy Who Loved Me’.
Written for Ensemble Klang.
16 minutes
8 turntables, percussion quartet, string quartet, scaffolding and sound design.
Written for Bl!ndman.
18 minutes
for ensemble and electronics
Written for Ensemble Klang
Subsequently co-produced by hcmf//, Transit Festival and November Music.
12 minutes
oboe and electronics
Released on Christopher Redgate's Electrifying Oboe CD in 2014
interactive website with multi-screen projection
9 channel sound installation
Made for for Le Poisson Rouge (NYC).
Commissioned by the MATA Festival (NYC).
80 minute CD
featuring 5 works (Totem for Den Haag; Nocturne for BJM; Music in the Shape of ELEVEN; Ithaca Blog; Entanglement Laws) with four electronic interludes (Stasis I-IV). Written for Ensemble Klang and released on Ensemble Klang records.
NOCTURNE FOR BJM [2004 rev 2010]
12 minutes
ensemble and electronics
Originally written for the Maarten Altena Ensemble.
Arranged for Ensemble Klang and released on the Music at the Edge of Collapse CD.
12 minutes
for any melody instrument and surround sound rehearsal recordings
Originally written for Robert Stillman (soprano saxophone).
Released on Ensemble Klang's Music at the Edge of Collapse CD,
performed by Eric-Jan de With and Heiko Geerts.
MIXTAPE ZEN [2008]
15 minutes
percussion quartet, four turntables, live video projection
Written for Bl!ndman.
18 minutes
ensemble and electronics
Written for Ensemble Klang and released on the Music at the Edge of Collapse CD.
MUSIC IN THE SHAPE OF ELEVEN [2006]
12 minutes
ensemble and electronics
Originally written for ELEVEN (London).
Arranged for Ensemble Klang and released on the Music at the Edge of Collapse CD.
CONTACT THEATRE [2006]
16 minutes
6 turntables
Written for Slagwerkgroep Den Haag
Later arranged for Bl!ndman.
VENT [2005]
12 minutes
tuba and electronics
Written for James Gourlay.
*also performed as VENT/GLACIER, an installation piece for the same forces.
NOCTURNE FOR BJM [2004]
12 minutes
ensemble and electronics
Originally written for the Maarten Altena Ensemble.
4 minutes
small ensemble
Originally written for ensemble SOIL (NL)
later arranged for Ensemble Offspring and performed in the Utzon Room, Sydney Opera House.
MAPUTO HYBRID [2004]
15 minutes
bass clarinet, Mozambican timbila and percussion
Written for Annette Schenk and Anneloes Meier
A STILLNESS MADE FROM SPEED [2003]
60 minutes
ensemble, electronics and film
Originally written for Vamos! with film by Mark Dingli,
subsequently co-produced by hcmf// 2003 and performed at Kings Place, London.
7 minutes
bass clarinet or tenor saxophone
released on Andy Scott's My Mountain Top CD in 2008)
IN THE QUIET OF YOU
12 minutes
flute quartet
Released on the Hotfoot CD in 2004
PRESENTS FROM AN EDITED THEN [2002]
70 minutes
saxophones and electronics
Written for the Apollo Saxophone Quartet.
Commissioned by hcmf//.
IN PURSUIT OF YOUR MOBILE NUMBER [2001]
5 minutes
two pianos
Selected by SPNM for performance by Rolf Hind and Nicolas Hodges at the Cheltenham Festival 2001.
DE TOX [1998]
5 minutes
baritone saxophone and drum kit, written for Dean Nixon.
COMPROMISE WITH STRINGS ATTACHED [1996]
9 minutes
string quartet
Premiered by the Sorrel Quartet, Cheltenham Festival 1997.