<works>
| * - click for audio/video |
| 2012 (in progress) - Canterbury |
| Totem for Sydney |
| new work for Ensemble Offspring |
| to premiere in Melbourne and Sydney, Austrailia, Dec 2012 |
| (tbc - new work) |
| collaboration with The Six Tones for installation/performance |
| to premiere in Hanoi, Vietnam, Nov 2012 |
| (tbc - new work) |
| collaboration (as arranger) with Janek Schaefer and the London Sinfonietta |
| Salvage |
| performance developed with CONTACT, featuring redundant instruments |
| to be presented at the Sidney Cooper Gallery, Canterbury, UK, 4th May 2012 |
| Orchestra ONE |
| education project for young people, culminating in a performance featuring realtime electronics |
| to be presented at the New Line Academy, Maidstone, UK, 1st April 2012 |
| Wavetable |
| interactive audio/visual installation and c.50' performance for Splinter Cell, SPOCK, Evan Parker and Roger Redgate . |
| to be presented at Turner Contemporary, Margate, UK, 24th Feb 2012 |
| 2011 - Canterbury |
| Subway 1980 - 12' |
| flute/alto flute, bass clarinet, violin, 'cello, piano, keyboard, drum kit, bass, turntables+laptop |
| written for Splinter Cell + SPOCK, for the 'Off the Rails' Programme at Kings Place, London, supported by CCCU |
| JB - 8' |
| amplified ensemble: soprano sax, baritone sax, alto trombone, electric guitar, piano, crotales, video |
| written for Ensemble Klang, for the ‘Music for Motion Pictures' Programme |
| Trance Map - 70' |
| Studio composition with Evan Parker |
| released on psi records, April 2011 |
| Ghost Language - 15' |
| 19-division trumpet, turntables+laptop |
| written for Steve Altoft |
2010 - Canterbury |
Keyframe (live remix of *Ithaca Blog, *Hovaardij and De Tox) 60' |
soprano, tenor and baritone sax (1 player), live electronics (4 channels), stage set and lighting |
collaboration with Andy Scott and Andy Hurst |
Totem for Brussels – 16’ |
8 turntables, laptop, prepared string quartet, percussion quartet, scaffolding, live electronics (8 channels) |
written for BL!NDMAN as part of the TOTEM collaboration, supported by CCCU |
amplified ensemble: tenor sax, baritone sax, trombone, electric guitar, piano, Mozambican timbila, live electronics (6 channels) and video |
written for Ensemble Klang, for the ‘Music at the Edge of Collapse’ CD, supported by CCCU, The Transit Festival, November Music and the Huddersfield Contemporary Music Festival |
soprano sax, live electronics (6 channels) |
written for Robert Stillman, as part of the Mobile Music project for the Sounds New Festival 2010, supported by CCCU |
English Landscape Painting – 18’ |
amplified oboe, turntables, live electronics (4 channels) |
written for Christopher Redgate, commissioned by the Sounds New Festival 2010 |
interactive audio-visual installation (9 channels of audio, 2 video screens) |
commissioned by the MATA Festival, New York City, supported by CCCU |
opening evening performance created with Evan Parker |
2009 - Canterbury |
Burn Like Icarus - 25' |
| open form work for large ensemble of improvisors, led by Evan Parker |
| supported by CCCU and the Sounds New Festival 2009 |
| *Prelude - 50' |
| prepared piano, turntables and live electronics (4 channels) |
| co-composed with Sam Bailey and supported by the Sounds New Festival 2009 |
| *Melting Wax - 60' |
| live performance of works for 4 turntables (2 players) |
| co-composed with Eric Sleichim and supported by Bl!ndman |
| created for the Ars Musica Festival 2009 |
| 2005-2008 - Canterbury |
| The Navigating Time Project (3 years), supported by CCCU and The PRS Foundation: |
| *Transference (51.16N,1.04E) - 60' |
| interactive audio-visual installation (8 channels of audio, 4 projections) |
| commissioned by the Sounds New Festival 2008 |
| *Mixtape Zen - 17' |
| 4 turntables, percussion quartet , video projection |
| written for Bl!ndman |
| Contact Theatre - 20' |
| six turntables (6 players) |
| written for the Percussion Group of the Hague |
| Music in the Shape of ELEVEN - 15' |
| open form work for mixed instruments and electronics |
| written for ELEVEN |
| Entanglement Laws - 20' |
| amplified ensemble: 2 prepared soprano or tenor saxophones, prepared alto trombone, detuned electric guitar with prepared amp, keyboards, junk percussion, live electronics (3 channels) |
| written for Ensemble Klang |
| References to Books on Applied Mechanics - 17' |
| Percussion, live electronics and interactive website (1 player) |
| *VENT / Glacier - 20' |
| heavily amplifed and distorted tuba, live electronics (4 channels) and live visuals |
| Other works from 2005-2008: |
| Collective Horizontal - c.20 |
| interactive audio-visual work for ensemble of computers (2 to 8 players) |
| created for OPEN EAR: networks |
| Datacloud - c.20 |
| 9 channel audio installation |
| created for OPEN EAR: transference |
| ILLNOISE - 10' |
| soprano sax, clarinet, marimba, junk percussion and live electronics (2 channels) |
| MONSTA - 3' |
| piano |
| commissioned by Boosey and Hawkes |
| Breakdown - 3' |
| amplified ensemble: piccolo, bass clarinet, violin, 'cello, piano/keyboard, drum kit, optional electronics (2 channels) |
| 2004 - Den Haag / London |
| Before the Leap - 5' |
| piccolo, bass clarinet, violin, 'cello, piano |
| written for SOIL |
| Nocturne for BJM - 9' |
| flexible instrumentation, for improvisors and electronics (2 channels) |
| written for the Maarten Altena Ensemble |
| Maputo Hybrid - 15' |
| prepared and amplified bass clarinet, Mozambican timbila, marimba, junk percussion |
| written for Annette Schenk and Anneloes Meier |
| A Stillness Made from Speed - 60' |
| amplified ensemble: flute/piccolo, bass clarinet, piano, junk percussion/small drum kit, violin, 'cello, live electronics (4 channels) and video |
| written for Vamos! |
| a collaboration with Mark Dingli (video) |
| 2003 - Den Haag |
Using Pride As An Excuse To Judge (or *Hovaardij) - 10' |
| bass clarinet, also version for tenor sax |
| written for Annette Schenk, tenor sax version for Andy Scott |
| In The Quiet Of You - 12' |
| 4 flutes |
| written for London Flutes |
Slow Rhetoric - 3' |
| flauto traverso |
| written as part of the Marsyas project |
| O Haupt Voll Blut Und Wunden - 5' |
| early music ensemble |
| Maderna - 6' |
| computer with video projection (2 channel audio) |
| The Longer Body of a Shorter Head - 16' |
| hybrid amplified ensemble + samplers |
| written for the FACES Festival |
| 2002 - Den Haag / Manchester |
Loop Culture - 18' |
| large string ensemble |
| commissioned by The Goldberg Ensemble |
| Presents from an Edited Then - 80' |
| 12 saxophones (4 players), live electronics (2 channel) and video installation |
| commissioned by the Huddersfield Contemporary Music Festival 2002 |
| 2001 - Huddersfield / Manchester |
| Instant Buzz and a Line Unwinding - 3' |
| large ensemble and voices |
| written for De Ereprijs for the 2001 Apeldoorn Young Composer's Meeting |
| Leap - 3' |
| flute, bass clarinet, violin, 'cello |
| commissioned by The Goldberg Ensemble |
| Teenage Kicks - 1' |
| Title Music commissioned by Channel 4 Television |
| Jumpcut - 5' |
| amplified flute and remixed audio (2 channels) |
| written for Heledd Francis, performed at the Huddersfield Contemporary Music Festival 2001 |
| In Pursuit of Your Mobile Number - 5' |
| 2 pianos |
| written for Rolf Hind and Nicolas Hodges |
| supported by SPNM for the Bath International Music Festival 2001 |
| 2000 - Huddersfield |
| To Stitch Holes in the Fabric for Dancing - 15' |
| 6 players |
| written for Ensemble Firebird |
| Uncivil War / Uncivil Death - 25' |
| school ensemble, voices and CD playback |
| commissioned by SPNM for the C4K project |
| 1999 - Huddersfield |
| For Olivia - 12' |
| large orchestra |
| written for the Norwich Schools Orchestra and performed in Norwich Cathedral |
| Sweet Thing - 7' |
| flute and turntables |
| written for Heledd Francis |
| Three Frames and a stray Line - 12' |
| string quartet and CD playback |
| written for Cellar Mix |
| Bend Enough Steel to Make a Window - 8' |
| 2 tubas |
| 1998 - Huddersfield |
| Elegy Branches - 5' |
| piano |
| commissioned by the Huddersfield Contemporary Music Festival 1998 |
| Hyperlament for Lynda - 15' |
| for chamber ensemble and soprano voice |
| written for Ensemble Firebird |
| De Tox |
| baritone sax and drum kit |
| written for Dean Nixon |
| 1997 - Huddersfield |
| Five Postcards from a Broadening Horizon - 8' |
| solo trombone, baritone sax, double bass, percussion |
| written for Jon Cooke |
| Rustic Wood - 8' |
| bassoon |
| written for Mike Barlow |
| Branching In - 15' |
| chamber ensemble |
| written for Ensemble Firebird |
| 1996 - Huddersfield |
| Compromise with Strings Attached - 9' |
| string quartet |
| supported by SPNM, The Sorrel and Duke quartets , The Cheltenham Festival 1997, The Huddersfield Contemporary Music Festival 2000 and The Cutting Edge 2000 |
| 1994 - Norwich |
| Metropolis - 15' |
| hybrid ensemble |